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Today's Features

  • Take away the sun, and Douglas Avenue becomes small-town Broadway, becomes a mosaic of textured cement and palm-smudged glass, the Salvation Army thrift store an all-night diner offering plastic fruit on chipped wood table. Streetlights become perfect eight-pointed stars in photographer Sean Weaver’s time-lapsed meditation on Las Vegas at night. Reminiscent of Edward Hopper’s famous painting, “Nighthawks,” Weaver’s Vegas is jaded, mysterious, a city of daisy-chained facade.

  • The Song of Jonah

    by Gene Guerin

    University of New Mexico Press, 2008

    ISBN 978-0-8263-4336-9

    $18.95 paperback

    232 pp.

    ‘A mixed and unsettling atmosphere colored the rest of the day. The procession after Mass, with the santo carried on its pallet along a path lit by kindling fires that snapped and spit resin, was for some a triumphal parade. For others it was a slow, solemn march with funereal undertones.” (p. 163)

  • In part 1 of this article , I outlined the available federal and state tax credits and the incentives PNM has to offer Las Vegans who install a PV/solar electric system. Now we will look at two specific examples to see how the costs and benefits actually play out.

  • All my life, I’ve always had very vivid, realistic dreams. The oldest dream I can remember is one from when I was 4 or 5.

    In my dream, I was walking down the street with my friend and her mom. We saw two people walk into an elevator, smiling and waving at us as the door closed.

  • I can’t remember if I’ve written a column about a movie before or not. I know that I’ve definitely considered it, but I’m not sure I ever did. If not, well, there’s a first time for everything. Besides this (possibly) being the first time I’ve written about a movie, it’s also the first time in a while I’ve felt so enthusiastic about such a blockbuster.

  • A practice room at NMHU reverberates with the Brazilian beat of a drum set, its tone reminiscent of a steel drum band, of nights spent in tango with handsome strangers under island stars.

    A singer’s voice pierces the rhythm, clear and low, a lone tarnished flute mimicking her vibrato in a sultry call and response. Five musicians breathe together, their sophisticated, sexy music at odds with their casual slacks and sandals. The clouds outside seems to gather to listen; they crowd together, deep reds, blues, vivid orange, the colors of suspense and desire.

  • A stately stone building sits sentry at the Bridge Street entrance to the Las Vegas Plaza, its expertly renovated rough-hewn exterior a study in late 19th Century architecture. Now the administrative home of the West Las Vegas School District, the two-story building looks elegant, composed, serene. It wasn’t always so self-possessed, however. Like many historic buildings in Las Vegas, this property holds colorful secrets.

  • Nature provides Las Vegas with an abundance of sun from which to derive both thermal and electrical energy.

  • “The first step into green is to reduce energy use. How much can you do without? We have a really big footprint. Big Foot had nothing on us.”

    With this challenge to her audience, Director of Facilities Marisol Greene described the dormitory project under construction at Highlands University.

  • A few weeks ago I found out I was going to be an extra in Run For Her Life, the movie that was filming in town. I was told over the phone to bring a few different outfits and my vehicle, and to be at the West parking lot at 6 a.m. Of course I didn’t object to the early hours, even though I hadn’t gotten up that early in months. I mean, who cared? I was going to be in a movie!