A Japanese monk lifted an empty teapot, passing an empty cup, ritualistically savoring bitter tea that no longer exists as a chorus of monks sang “though the bowl is empty, the scent glows.”
Members of the Las Vegas Guild of the Santa Fe Opera leaned forward, let the music, as fine and enlightening as vapor from steaming green tea waft over them during the American premiere of Tan Dun’s opera, Tea, last August in Santa Fe.
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