A set of rustic chairs, His and Hers, each painted with the visage of artist Grant Wood’s famous coupling, “American Gothic,” rests in Carol Baldwin’s home art studio.
The chairs seem to hold a conversation with one another, pitchforked farmer stern and willful against a quiet woman, her hair pulled back into a severe bun. A shorter chair watches the exchange. Painted with Wood’s depiction of adolescence, a pin-feathered chicken, it eyes the couple with one watery eye.
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