In the midst of dark, war-torn 1939, artist Marc Chagall feared his days were numbered. The Nazis marched toward Paris, toward the small enclave of artists and intellectuals housing the middle-aged Russian Jew. Chagall hid his works as best he could; he placed his etchings on Biblical themes — the beginnings of a series he started after a visit to Palestine — in a locked trunk and shipped them to a Swiss friend.
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