A wood stove belches ash into a shotgun space that once housed the carriage belonging to Nuestra Senora de los Dolores’ Padre Tehane.
Artist Alex Ellis stokes the fire, a shelf of stacked paintings to his left, exposed layered stone behind him. The paintings almost whisper, almost shimmer, their layers of rich color deposited on old wood, on marcasite panel. The scent of melting beeswax mingles with the rising heat. Ellis stands. His close-cropped beard and simple knit cap echo his spartan surroundings — a man in holy communion with his art.
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